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Qualities Formal The Baroque style has given its name to the entire culture of the 17th century, although it does not exclude contrary tendencies within the same country, as well as a great individuality of national arts., "Style as a concrete embodiment or projection of emotional dispositions and habits of thought common to the whole culture" Cultural or national character Boundaries of a culture, "Style as a concrete embodiment or projection of emotional dispositions and habits of thought common to the whole culture" Cultural or national character Circularity, The dominant style-giving force A particular institution, like the church, monarchy, or great artist/genius? Not necessarily organic; may be likened to a machine with limited freedom of motion., Subject Matter STYLE Viewer, Context of production "Style as a concrete embodiment or projection of emotional dispositions and habits of thought common to the whole culture" Cultural or national character, Material STYLE Viewer, The dominant style-giving force World outlook common to the whole society? Not necessarily organic; may be likened to a machine with limited freedom of motion., Technology Material Style dependent upon materials and technology. Boas: motor habits in the handling of tools, Qualities STYLE Viewer, The Baroque style has given its name to the entire culture of the 17th century, although it does not exclude contrary tendencies within the same country, as well as a great individuality of national arts. Guiding idea, unifying force within complex and contrary products of the Baroque. The dominant style-giving force, Form Relationships STYLE Viewer, Function/Context STYLE Viewer, Subject Matter Expressive Cultural conventions (Historical, political, symbolic, religous, etc.), Subject Matter Expressive Human agency of the artist and patron., Cultural or national character Boundaries of a culture Political, Cultural or national character Boundaries of a culture Genealogical, Cultural or national character Boundaries of a culture Set of shared traits, Cultural or national character Boundaries of a culture Linguistic, Cultural or national character Boundaries of a culture "Cultural" or worldview, Cultural or national character Boundaries of a culture Geographic, Technology STYLE Viewer, Geographic STYLE Viewer, Function/Context Behavioral Context of display, Function/Context Behavioral Functional context, what the object is for, Form Elements or Motifs Formal The Baroque style has given its name to the entire culture of the 17th century, although it does not exclude contrary tendencies within the same country, as well as a great individuality of national arts., Technique Material Style dependent upon materials and technology. Boas: motor habits in the handling of tools, Form Elements or Motifs STYLE Viewer, Form Relationships Formal The Baroque style has given its name to the entire culture of the 17th century, although it does not exclude contrary tendencies within the same country, as well as a great individuality of national arts., Cultural or national character Circularity Greek style is different from Thracian style because the one is Greek and the other not, Cultural or national character Circularity What makes a culture unique makes a style unique, Material Material Style dependent upon materials and technology. Boas: motor habits in the handling of tools, Geographic Cultural Context of production, Technique STYLE Viewer, Guiding idea, unifying force within complex and contrary products of the Baroque. The dominant style-giving force A particular institution, like the church, monarchy, or great artist/genius?, Guiding idea, unifying force within complex and contrary products of the Baroque. The dominant style-giving force World outlook common to the whole society?