The Economist explains

How does copyright work in space?

A performance of a song in space has much scope for potential intellectual-property violations

By G.F. | SEATTLE

CHRIS HADFIELD has captured the world's heart, judging by the 14m YouTube views of his free-fall rendition of David Bowie's "Space Oddity", recorded on the International Space Station (ISS). The Canadian astronaut's clear voice and capable guitar-playing were complemented by his facility in moving around in the microgravity of low-earth orbit. But when the man fell to Earth in a neat and safe descent a few days ago, after a five-month stay in orbit, should he have been greeted by copyright police? Commander Hadfield was only 250 miles (400 km) up, so he was still subject to terrestrial intellectual-property regimes, which would have applied even if he had flown the "100,000 miles" mentioned in the song's lyrics, or millions of kilometres to Mars. His five-minute video had the potential to create a tangled web of intellectual-property issues. How does copyright work in space?

More from The Economist explains

What are the rules governing protests on American campuses?

They vary, and are hard to enforce

Who is jamming airliners’ GPS in the Baltic?

Russia seems to be the culprit, but it may be inadvertent


What are the obligations of Israel and Hamas to protect civilians?

International Humanitarian Law creates obligations—but contains numerous caveats